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INSTALLATION

The installation of the fused glass windows became as much a part of the spiritual journey as the conceptualization of the project (see "The Story") and the satisfying completed work of art.

Most of the congregation never knew that the Fused Glass Panels were going to be a part of their new Sanctuary environment. Harry Paine, chair of the Building Committee, thought that the surprise and intrigue of seeing them installed one by one, and then sharing the story about how the panels had been funded with the members could have a profound and positive effect upon this small but growing liberal church and the community.

 
As the Sanctuary was being finished in its final weeks, members and friends would walk into their new spaces under construction and begin to see and experience the reality of what they had agreed to build.  There was a stark simplicity to the pristine white sculptural shapes and forms as sunlight poured through the skylights, arched masonry windows and the clear glass openings facing southeast. In this photo, the floor was sand being shaped and leveled to receive the two levels of rustic terrazzo that would be poured soon. Suzanne is at pulpit boulder. Little did anyone know what was to come.

1. Moving in on Easter Sunday

2. The first service.

3. Installation of "Treasures from Under the Earth".

4. Three panels of the central composition.

5. Capturing the Ever-changing Morning Sun.

6. The Fusions Glisten in the Sun.

7. Bob White is Awed by the Promise.

8. The Tedious Installation of the 5th Panel.

9. Installation of "Man the Searcher".

10. Magical Delicate Reflections Cast Upon the Sculptural Shapes.

11. Treval Powers Contemplates "Man Beneath the Scientific Lens".

12. Installation of the Final Panels.


 

1. Moving in on Easter Sunday was an all church affair as members hauled in chairs to the Sanctuary which was literally still under construction. The open organ pit behind the raised choir platform was covered with plywood leaning up against the wall. Giant sheets of vis-queen plastic protected the white sand finished plaster walls that had just been sprayed. The first service was about to begin. It was quite a welcoming for all. The process had begun. A new life had started for this little church community.

2. The first service was conducted in their new Sanctuary on Easter Sunday with only one Fused Glass Panel in place. It was an extraordinary surprise for the Congregation. One can only guess at the kinds of emotions that were generated within the hearts and minds of the membership who had worked so hard just to be able to build the church. It was on this morning that the first few words were shared with the members about what was to be forthcoming, and what this first Fused Glass Panel meant in the philosophical and liberal religious belief system of the North Shore Unitarian Church. The search for truth is the truth.

3. It had been about 4 months since the first panel had been installed for Easter Sunday. Now the second one, "Treasures from under the Earth" is nestled into its sacred space, secret place. It is another integral part of the overall concept, "The Search for Truth is the Truth". This panel begins to portray how the historical finds from archaeological and other excavations have reflected and impacted human thought and development throughout history. Embedded into this fusion are glass replicas of an ancient Greek vial, part of a stone tablet bearing hieroglyphic text, and a Great Aurochs pre-historic cave painting from Lascaux. The scale, scope, intricacy, and deeply liberal religious meaning of the Sculptured Fused Glass Wall slowly began to take shape. How will all of this impact and inspire today's humans? The search for truth is the truth.

4. Upon opening the doors to the Sanctuary only three panels of the central composition greeted all in their glorious color and brilliance. It was quite a sight for the members and visitors to behold as they walked in. Each Sunday they would arrive not knowing what to expect as they were told the panels were being done as quickly as Bob could produce them. He was a one man shop. The anticipation was part of the magic and mystery of the story as it developed over the 3 years and is still developing and evolving ... as the sun rising in the East is also ever-changing.
 

5.Visitors, members and friends could only slightly begin to comprehend the complex, poetic nature of Bob's Fused Glass miracles of wonderment as the months rolled by and another panel would be installed. In reality, having them set in place individually over a 3 year period allowed each of the members to learn about and study their unique detail and his artistry ... as well as reflect upon the profound messages each contained.The search for truth is the truth.

The Sculptured Fused Glass Wall was designed and created to face Southeast to constantly catch the rising ... ever-changing
morning sun, the normal time of most services for this Unitarian church community.

6. The true sculptural nature and story of the entire wall and its meaning slowly began to emerge. The fusions glistened in the sun, reflecting their brilliant colors and textures on the white sand finished plaster shapes. The gently rolling, undulating forms embrace each panel within its own unique sculptured setting and provide a continuously changing symphony of color, form and shape. People to this day wander back and forth along the wall, touching a panel, rubbing their fingers across the various surfaces, adding yet another sensual experience to their ever-changing, ever-evolving understanding of the medium and the message. It has been said that it is quite a profound emotional experience for many, day and night, dusk to dawn. The search for truth is the truth.

7. Bob White came to the church for the first time since the initial concept presentation was presented to the building committee, 15 months prior, to experience three of his panels now installed. He was overwhelmed beyond words ... and almost fell off the ladder in ecstasy. What an incredible thrill it was for him to experience the results of his years of research and work as to how he had studied, envisioned light ... its transmission, refraction, reflectance and entrapment within fused glass ... and now see the reality in place. He had never done anything on this scale before! It was even more-so true for the members and visitors to the Sanctuary, then and even to this day.
 

8. It took almost a week to carefully fit, match and install the three separate pieces of this panel into its tall, slender, sculptured opening. It was the fifth panel of the 23 that would eventually grace this sacred space. Amazingly, it all went together like a Swiss watch as Bob had carefully matched each of his fabricated fused glass panels exactly to the precise plywood templates given to him. From one Sunday to the next, the congregation arrived to gather in a whole new understanding of Bob's genius, and the multiple human messages the entire work contained.
 

 

9. The largest panel of all, embodies Copernicus' world shaking mathematical diagrammatic theories, literally changing how Earth, the Universe, our Cosmos exists in reality. Earth is NOT the center of all things as Papal Rome had declared. This caused world-wide upheavals at that time in history. The Promethean Man hands down the fire of knowledge to "Man the Searcher" ... a thrilling experience to install as well as experience in the soaring, sculptural Sanctuary space. Only now could the viewer sense the profound philosophical messages ... the scale and scope of the Fused Glass Wall. The initial vision that had been spawned began to portray the story and that was still evolving.

 

10. Each Sunday, as new panels had been set in place, the members of the church could now begin to see the near magical delicate reflections cast upon the sculptural shapes and how they all inter-related to the overall concept and feeling of the entire space. And since the sun always rises and sets from an ever-so-slightly different place each day, the reflections and refractions of light through each panel will also be ever-changing. That is true today. Each Sunday morning one sees and finds something new and different! Charlie Emmons wrote so eloquently about this phenomenon in his tribute to Bob White on 23 January 1983.

 

11. After the first few fusions had been installed, many members of the congregation asked if they could assist in some way, any way, in this remarkable once-in-a-lifetime process. So they were invited to spend a day helping with the installation in a variety of opportunities to match their enthusiasm and skills. Each became dedicated workers, learners extraordinaire, intrigued with the entire concept and process. Sometimes a small panel would be given to them to study in their home for a week and then installed. On the following Sunday a dialog sermon would be conducted and led by Rev. Russell Bletzer and that member each giving their impressions of what that panel meant to them and might mean to the church and community at large. Those were remarkable services, existential and thought provoking.

In this photo, Treval Powers, long time member, octogenarian, shares his thoughts with Suzanne, both dedicated choir colleagues. He arrived in the United States from Norway before the turn of the 19th into the 20th century with his parents. They then traveled across the country in a covered wagon and he eventually settled with his family in the midwest. He especially appreciated and related to the historical context of the Sculptured Fused Glass Wall in terms of his own life.

Treval was particularly honored to help install panel No. 10, "Man Beneath the Scientific Lens", as he also was a man of science and law. This powerful panel poses the question: ... " What shall be the future line of human's search for and affirmation of ... truth?"  This remarkable fusion contains part of the text from Hammurabi's first written legal code in history dating from about 2100 BCE in Babylonian times, inscribed on a stone tablet, symbols of Greek philosophy, Indian mysticism, and Christian theology. These were only some of the forces portrayed which have moved modern humankind towards ethical commitment.

12. As the final panels were being put into place, almost 3 years had elapsed. The Universe Expands is the over-arching theme of this Section reflecting the newly discovered knowledge of our Cosmos through the lens of the Hubbel telescope and the giant array of electronic technology, terrestrial aeronomy, planetary radar and radio astronomy at the Arecibo Observatory. Fittingly, the 6 panels spiral upward towards the heavens above carrying with them the continuing search for truth,the microcosm and macrocosm of reality. Church members were mesmerized and awe-struck every Sunday as the complexity of Bob's wondrous work unfolded before them weekly. The dialog sermons about each panel as it was put in place provided a rich tapestry woven into history and the future at the same time.

This was an extraordinary experience for the entire congregation to experience and witness over those years. Some of those, whose words electrified and astounded the members and friends attending the Sunday services as they listened and watched, included Klema Scher, Bob and Maggie Behn, Helen Ratzer, William and Martine Sproat, Kathy Fortuna, Don Hackman and Marilyn Henry.
 

Many members and friends of NSUC during those precious 2-1/2 years asked to become involved in any part of the installation if possible in any manner. Each just wanted to be a part of this extraordinary evolutionary process. So, as each panel was ready we would call upon one or two of them to become part of the team for that day of work. Some of the names that are etched into our minds are Maggie Behn, Bob Behn, Gerhard Kolb, Charlie Emmons, Charlie Moelter, Treval Powers, Tim Dirsmith, Colleen Dirsmith, Brian Dirsmith, Mary Danakas and Al Danakas. Their participation made it even more meaningful, and their own stories are just as precious.

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